By Alice Cooney Frelinghuysen
Коллекция американского фарфора из Метрополитен-музея. Книга содержит 221иллюстрацию, из них 169 в цвете.
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Additional resources for American Porcelain. 1770-1920
03. Composition The difficulty with this image was to make the viewer believe that the cars were really on the road. To manage this, I had to solve two problems: the perspective of the scene had to match the background, and the reflections had to show the environment around the cars. 06c Scenes 61 The scene was very simple: a road, two cars and a desert environment. A directional light simulated the sun and the camera was manually positioned so that the wire road matched the background. The cars were then put in the right place to create a feeling of tension in the pursuit.
For the modeling of objects like the in your 3D package (which in this case is 3d Studio Max). wheels, engine and basically all metal objects, I used Editable Poly, which is one of the Very often I use several types of modifiers to deform or most commonly used modeling techniques in the industry. Everyone who wants to start change the geometry; for example, Symmetry, Bend, with computer graphics should know this modeling technique very well; it is one of the Twist, Taper, Free Form Deformer, Noise, Displace, most popular methods of modeling.
04 36 Scenes this was extremely necessary for certain objects in the project. 06). 07). 08a – b). 09). Lighting In the final stage of the production, lighting the scene, the earlier preview of the lighting setup needed some adjustments, because the scene was to be illuminated by natural light. 11). The scene describes early morning, so the lighting tint leans towards a cooler color with an intensity that is not too high. The size of the area lights had to be set very carefully because it affects the shape of the shadows, as well as the quality and render speed.
American Porcelain. 1770-1920 by Alice Cooney Frelinghuysen