By David D. Busch
ISBN-10: 1592001726
ISBN-13: 9781592001729
ISBN-10: 1592003885
ISBN-13: 9781592003884
Images and Photoshop cross hand in hand. if you happen to believe there's not adequate images within the usual Photoshop ebook, and there is not sufficient Photoshop within the ordinary images ebook, then the ebook you’re trying to find is true on your palms. even if you're a electronic or traditional digicam buff, this full-color ebook is definitely the right advisor for diving into an important components of Photoshop CS. learn Photoshop from a photographer's standpoint and tips on how to fine-tune your pictures as you rework them from speedy snapshots into really compelling photographs.
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Example text
Increasing the CD player’s volume may help a bit, but you’re still contending with an unfavorable signal-to-noise ratio that probably mutes tones (especially higher treble notes) that you really wanted to hear. The same thing happens during long time exposures or if you boost the ISO setting of your digital sensor. Longer exposures allow more photons to reach the sensor, increasing your ability to capture a picture under low light conditions. However, the longer exposures also increase the likelihood that some pixels will register random phantom photons, often because the longer an imager is “hot” the warmer it gets, and that heat can be mistaken for photons.
Tones that are too dark won’t provide enough photons to register in the sensor’s photosite “buckets,” producing clipped shadows, unless you specify a lower threshold or amplify the signal, increasing noise. Very light tones are likely to provide more photons than the bucket can hold, producing clipped highlights and overflowing to the adjacent photosites to generate blooming. Ideally, you want your sensor to be able to capture very subtle tonal gradations throughout the shadows, midtones, and highlight areas.
I expect 1GB Compact Flash cards and 4GB teensy hard disks to appear to be laughably small during the life of this book. ) Indeed, I don’t even consider buying a memory card smaller than 1GB when I purchase more digital “film” for my dSLR. I can fit only 90 RAW images on a 1GB card as it is and already find myself swapping cards more often than I’d like. Who needs a 512MB or smaller card that can hold only 40 RAW images or fewer? Look for Compact Flash and SD cards to top 4GB soon, while retaining a reasonable price, and capacities far beyond that in the future.
Adobe photoshop cs photographers' guide by David D. Busch
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