By David D. Busch
"Adobe Photoshop CSX: Photographers' consultant" is aimed squarely at those that are looking to creatively use images to supply compelling pictures and who are looking to grasp all of the instruments to be had to them. The emphasis of this strategy is on either conventional and modern photographic suggestions, and the way to breed or increase them in Photoshop CSX. Readers needn't be ace photographers or Photoshop specialists to create those attention-grabbing results. All that is wanted is that this effortless, "all-meat" ebook that exhibits the right way to use Photoshop CSX to augment photographs with the types of results humans respect. This publication incorporates a spouse website with the entire instance records and pattern filters. David D. Busch is a professional writer, photographer, and image-editing guru. The author's services, alongside the performance of the software program and the appropriate and easy-to-follow details this e-book has to supply makes this the ideal mix from which to profit this interesting and enormously transforming into know-how.
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Extra resources for Adobe Photoshop CS2 : photographer's guide
1. jpg file from the website. 36. 2. The first thing to do is brighten the picture a little and give it more zip. Choose Image > Adjustments > Hue/Saturation. Move the Hue slider to –33 and the Saturation slider to +40. 37. 36 This sunset picture could use a little livening up. 37 Adjusting the saturation and hue of the image provides a bit more zip. Chapter 2 ■ Camera and Lens Effects in Photoshop 43 3. 38. 4. You can choose to imitate the lens flare typically produced by four different types of lenses, a 50–300mm zoom, as well as 35mm and 105mm prime (single focal length) lenses.
22 Cropping the image provides a telephoto effect. 23, which shows the view from the cheap seats at Jacobs Field in Cleveland, with a box drawn around the view I wish that I’d had. Fortunately, the rowdy gang of kids I’d brought with me couldn’t tell the difference between these seats and the $40 Lower Box accommodations, so it was money better diverted to hot dogs, even if my photo opportunities suffered. 23 This is the sort of picture you can expect to take 380 feet from home plate. 3 megapixels.
You can see how compressed the distances between the towers appear when the picture is blown up. Telephoto perspective can flatten images in which the distance between the objects is not so obvious. 29 shows a wide view of the Spanish town of Segovia, taken from the tower of the city’s famous castle (it’s the one always shown in those “castles in Spain” posters). When the image is cropped to its center portion, buildings in the foreground that are 100 yards from the cathedral in the background appear as if they butted right up against its base.
Adobe Photoshop CS2 : photographer's guide by David D. Busch