By Takashi Iijima
Adventure genuine human physiology and pursuits with motion ANATOMY for avid gamers, Animators and electronic Artists, the essential consultant to the expression of human physique mechanisms in special effects as illustrated for creators, designers, and animators. personality animation is explored via each one physique half and flow exhibited via impressive picture info with transparent causes. full of over 650 color desktop photograph visuals and greater than 280 priceless issues and commentaries on everybody half, bone, and muscular flow, this accomplished physique animation picture guide is a must-to-have for all designers!
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Additional info for Action Anatomy For Gamers, Animators and Digital Artists
Example text
Out of the sunlight, their laser-proof mirror hulls were duller now. They were still falling; maybe five kilometres up. I checked the gun again. Maybe it wouldn't work, I thought. Lasers shone in the dust and grime above the city, producing tight spots on high and wispy clouds. Searchlight beams faded and spread in the same haze, while fireworks burst and slowly fell, twinkling and sparkling. The sleek ships dropped majestically to meet the welcoming lights. I looked about the tree-lined ridge; alone.
However appropriate the thought might have been, it wasn't much help. I was standing outside a no-credit gambling club in Vreccis Low City in the small hours of a wet weeknight, looking at a pretty, toy-like handgun while two large people I owed a lot of money to asked me to do something extremely dangerous and worse than illegal. I was weighing up the relative attractions of trying to run away (they'd shoot me), refusing (they'd beat me up; probably I'd spend the next few weeks developing a serious medical bill), and doing what Kaddus and Cruizell asked me to do, knowing that while there was a chance I'd get away with it - uninjured, and solvent again - the most likely outcome was a messy and probably slow death while assisting the security services with their enquiries.
I didn't know anything. I was floating on a sea of possibilities, but parched of choices. I squeezed the trigger. The gun leapt backwards, light flared all around me. A blinding line of brilliance flicked, seemingly instantaneously, from me to the starship ten kilometres away. There was a sharp detonation of sound somewhere inside my head. I was thrown off the tree stump. When I sat up again the ship had fallen. The Great Square blazed with flames and smoke and strange, bristling tongues of some terrible lightning; the remaining lasers and fireworks were made dull.
Action Anatomy For Gamers, Animators and Digital Artists by Takashi Iijima
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